Moving Into Music – Music for Easter: Pick 3 # G.F. Handel: The Messiah – Hallelujah Chorus Sydney Philharmonia Choirs performance in 2019 with the Sydney Philharmonia Orchestra …

In April, Lauris Hing – Moving Into Music’s Principal wrote …
Easter is a very special time of year for many folk and cultures. It is a very special time for music. Many of the most significant Oratorios and large-scale musical compositions were written by the great classical composers as part of Easter rituals, services and celebrations. Beloved by orchestras and choirs around the world – these works give a wonderful opportunity for singers, players, conductors and audiences alike to enjoy the spiritual and uplifting experiences of performing and witnessing the grandeur of these colossal works.
In the MIM Monthly newsletter we give you three top picks of the most acclaimed and most powerful Easter music. We trust you will enjoy seeing and hearing them via video performances. We have chosen performances from London, from Luxembourg and locally – from Sydney.
Moving Into Music – Music for Easter: 
Pick 3 # G.F. Handel: The Messiah – Hallelujah Chorus
Sydney Philharmonia Choirs performance in 2019 with the Sydney Philharmonia Orchestra …
Handel - Sydney
In this local version from 2019 … 600 singers from the Sydney Philharmonia Choirs join the Sydney Philharmonia Orchestra to perform Handel’s jubilant Hallelujah Chorus from the Messiah, live at the Sydney Opera House … featuring soloists Celeste Lazarenko (soprano), Nicholas Tolputt (countertenor), Andrew Goodwin (tenor), Christopher Richardson (bass-baritone) and conducted by Brett Weymark.

Messiah, written in 1741, is George Frederic Handel’s great oratorio. It has become a ubiquitous part of Christmas celebrations worldwide — and yet it was written for Easter. Only the first third of Messiah is about the birth of Jesus. Part II covers the death of Christ and the third is focused on the Resurrection. The rousing Hallelujah Chorus is one of the most famous pieces of Baroque choral music, and by far the most widely-known section of the work. The tradition of standing during the famous Hallelujah chorus, is said to have begun in 1743, when England’s King George II rose from his seat, enthralled by the beauty of the music. Not wanting to offend the king, the audience also stood – or so the story goes. Messiah is an oratorio, a large-scale work based on sacred text, but without sets, costumes, or action. Drawing from the Old and New Testaments, Handel designed it in three sweeping sections: Prophecy and Fulfillment, Suffering, and Redemption. Although religious, its message remains universal, and Handel intended it for the concert hall. Its theatricality is another reason for its popularity. 

Can you imagine the power of being part of this performance … amidst a wall of sound – a massed choir of 600 voices along with the orchestra?
The energy, the intensity, the driving force of the music – it must have been amazing. Here is our chance to witness it in review – Enjoy! Enjoy!Enjoy!
https://www.youtube.com/watch?v=weFJHtcxJt0

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